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dc.contributor.authorTompkins, Joe
dc.date.accessioned2015-09-29T14:45:23Z
dc.date.available2015-09-29T14:45:23Z
dc.date.issued2015-06-02
dc.identifier.citationTompkins, J. (2015), Return from Exile: How Extreme Metal Culture Found Its Niche with Dethklok and Postnetwork TV. Journal of Popular Music Studies, 27: 163–183. doi: 10.1111/jpms.12119en_US
dc.identifier.issn1524-2226
dc.identifier.issn1533-1598
dc.identifier.urihttp://hdl.handle.net/10456/38142
dc.language.isoen_USen_US
dc.publisherWiley Periodicalsen_US
dc.relation.ispartofJournal of Popular Music Studiesen_US
dc.relation.isversionofhttp://dx.doi.org/10.1111/jpms.12119en_US
dc.rightsCopyright © 1999-2020 John Wiley & Sons, Inc. All rights reserveden_US
dc.titleReturn from Exile: How Extreme Metal Culture Found Its Niche with Dethklok and Postnetwork TVen_US
dc.description.versionPublished Articleen_US
dc.contributor.departmentCommunication Arts & Theatreen_US
dc.citation.volume27en_US
dc.citation.issue2en_US
dc.citation.spage163en_US
dc.citation.epage183en_US
dc.identifier.doi10.1111/jpms.12119
dc.contributor.avlauthorTompkins, Joe


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