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dc.contributor.authorReeck, Laura
dc.date.accessioned2018-07-26T16:29:33Z
dc.date.available2018-07-26T16:29:33Z
dc.date.issued2018
dc.identifier.citationLaura Reeck (2018) Gender and Genre in Banlieue Film, and the Guerrilla Film Brooklyn, Romance Studies, 36:1-2, 76-90, DOI: 10.1080/02639904.2018.1457829en_US
dc.identifier.issn0263-9904
dc.identifier.issn1745-8153
dc.identifier.urihttp://hdl.handle.net/10456/46636
dc.description.abstractThe twenty-first century has seen banlieue film expand as a filmic category. Of particular note, female directors and characters have entered banlieue film in earnest, thereby disrupting what had been male-centred films and film-making. Also, new trends and methods sometimes pulling in different directions have impacted the diversification of banlieue film. I consider Brooklyn (2014) in relation to Bande de filles (2014) for the primary reason that they broke new ground by featuring lead black actresses. Then I focus on guerrilla film Brooklyn to explore how a new wave of film-making in France has contributed to decentralizing and renewing the filmic category. In this article, then, gender and genre function as the primary critical lenses to survey the evolution of banlieue film.en_US
dc.language.isoen_USen_US
dc.publisherRoutledgeen_US
dc.relation.ispartofRomance Studiesen_US
dc.relation.isversionofhttps://doi.org/10.1080/02639904.2018.1457829en_US
dc.rightsThis article is published by Taylor & Francis in Romance Studies (2018) Reeck. All rights reserved.en_US
dc.subjectFilmen_US
dc.subjectbanlieuesen_US
dc.subjectgenderen_US
dc.subjectgenreen_US
dc.subjectblack actressesen_US
dc.titleGender and Genre in Banlieue Film, and the Guerrilla Film Brooklynen_US
dc.description.versionPublished articleen_US
dc.contributor.departmentModern and Classical Languagesen_US
dc.description.embargoThis version of the article is available for viewing the public after June 12, 2020en_US
dc.citation.volume36en_US
dc.citation.issue1-2en_US
dc.citation.spage76en_US
dc.citation.epage90en_US
dc.identifier.doi10.1080/02639904.2018.1457829
dc.contributor.avlauthorReeck, Laura


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