Mirroring Hybridity: The Use of Arab Folk Tradition in Laila Halaby's Once in a Promised Land and Alia Yunis's The Night Counter

Abstract

This article explores the way in which Laila Halaby in Once in a Promised Land and Alia Yunis is in The Night Counter utilize the Arab folk tradition in novels on Arab and Muslim American experience to counter the dominant narrative that simultaneously erases their extensive history in the United States and juxtaposes it with a forced visibility that is marked by Otherness, threat, and distrust. The article argues that by using folkloric figures and storytelling structures, Halaby and Yunis reverse the positionality of these communities by marking the multiple cultural signifiers that inform their stories in order to construct a palimpsest that reinscribes Arab and Muslim American experiences within narratives that perceive them as problems. As such, the Arab folk tradition emerges as a significant mode in the cultural memory of Arab and Muslim Americans, and the American literary fabric more broadly, and takes on a new meaning in this context.