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Reality and Imagination in Gaspard de la Nuit

Persistent URL
http://hdl.handle.net/10456/36089
Author(s)
Cui, Yuanshuai
Date Issued
April 29, 2014
Abstract
Maurice Ravel once said, “My ambition is to say with notes what a poet expresses with words”(qtd. in Eccles 1), and Aloysius Bertrand’s collection of poems, Gaspard de la Nuit, certainly captured Ravel’s musical imagination. This thesis explores the interplay of reality and imagination in Bertrand’s and Ravel’s “Gaspard de la Nuit.” An identifiable theme in the poems as well as the music, the interplay of reality and imagination is explored in a comparative approach, with each chapter focusing on one poem and the piano piece that it inspired. Through analysis of Bertrand’s text and Ravel’s motivic, harmonic and formal structure, we can see a parallelism between Bertrand’s and Ravel’s treatments of reality and imagination. This study allows readers, audiences and musicians to view Ravel’s composition as both a recreation of Bertrand’s poem and a creation in its own right that sheds light on the original literary work.
Honors
Modern and Classical Languages, 2014
Music, 2014
First Reader(s)
Chien, Alec
Other Reader(s)
Wolfe, Phillip
Department
Modern Languages
Music
Type of Publication
Senior Project Paper
Subjects

Aloysius Bertrand

Maurice Ravel

Gaspard de la Nuit

File(s)
Thumbnail Image
Name

2013_14_Yuanshuai_Imagination.pdf

Description
Article
Size

1.62 MB

Format

Adobe PDF

Checksum (MD5)

3ccf6df2ad6e167ce6bfdd289026b947

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